The Yellow Birds by Kevin Powers

Kevin Powers, poet, author, and Iraq veteran, has written a deeply emotional and searing fictional account of the war in Iraq as narrated by a troubled young private. Switching between the battlefield and home after being discharged, The Yellow Birds is told from the perspective of Private Bartle, a man suffering from post traumatic stress disorder and the ghost of something too horrible to consciously recall.

Powers' command of language is astounding, his prose beautiful and evocative, and his descriptions poetic and lovely of even the most horrifying scenes. Through Private Bartle's perspective, he brings to light aspects of the soldier's experience that civilians may not expect: the unstoppable, unending grind of war and the PTSD that follows soldiers home. Instead of a story of a triumphant hero, the tale is tragic and its protagonist lost and alone, as things can never be the same after Private Bartle returns to the United States. One minor complaint is that Powers' sentences are often complex, but the re-read they require is rewarding and illuminating. This novel earns its comparisons to The Things They Carried and All Quiet on the Western Front and though - and perhaps because - it is a difficult, emotionally challenging book, it should be on everyone's reading list.

Shannon Wood, Adult Services Librarian

The Woman Upstairs by Claire Messud

Everyone knows a "woman upstairs." Quiet, polite, ever so helpful. Always single, sweet, and fading into the background. Third grade schoolteacher Nora knows with certainty that she is one of these, a knowledge that fills her with an all-consuming and poisonous rage. When Nora rents an art studio with the mother of one of her students, Reza Shahid, an obsession ignites that grows to encompass the whole family. In The Woman Upstairs by Claire Messud (Find the e-audio version here and the ebook here), Nora's infatuation with the Shahids grows while she rails against the circumstances of a mundane life that is slowly smothering her.

Messud's novel is literary in every sense of the word: from her poetic use of language to her allusion to other classics such as Ibsen's A Doll's House, Jane Eyre, and more. The stream of consciousness narration is a fascinating look inside a head that is filled with turmoil and anger, a rage that intrigues and repels at the same time. Using Nora's overwhelming preoccupation with mother, father, and child, Messud uses the different types of love - friendship, romance, and motherhood - to explore how much we need from others and how much we can reasonably expect them to give. In this New York Times Book Review Notable Book, Messud explores the psyche of the forgotten and invisible in a searing portrayal of a woman whose obsession and need begin to take over her life.

Shannon Wood, Adult Services Librarian

The Quick by Lauren Owen

Charlotte and James Norbury grow up in a huge old mansion out in the country, playing on the overgrown pathways and in the dusty library. From reading other gothic horror novels, you would think that it would be in the mansion that the siblings would meet some eldritch abomination, but in The Quick by Lauren Owen, it is London where brother and sister are plagued by an evil they are afraid to name. When James disappears into the bowels of Victorian London, Charlotte must find him before it's too late.

You won't find it on the book jacket, but (SPOILERS, I guess) the twist is that there are vampires in London, vampires who are not glamorous and romantic but repulsive and alien. They are both disgusted and attracted to humans, which they call the Quick, and their natures cannot be controlled like in certain other vampire narratives. I thought this was an interesting take on vampires being  truly repulsive instead of perversely attractive. However, the main characters, James and Charlotte, don't have much to do and are swept along for the ride rather than directing the action. Side characters do most of the action and planning while the two Norburys follow along in their wake. However, fans of gothic horror and Anne Rice will gobble this dark, dreamlike novel right up.

Shannon Wood, Adult Services Librarian

Cartwheel by Jennifer DuBois

When Lily Hayes steps foot in Buenos Aires, she is ready to have an amazing semester abroad. Her roommate, Katy, seems a little boring, but next door is a reclusive and handsome young millionaire to get to know. Weeks later Katy is found dead in their shared room, and everyone assumes that Lily is the culprit. In Cartwheel by Jennifer DuBois, loosely based on the Amanda Knox murder case, Lily is charged with the murder of her roommate, and the question of her guilt has more to do with public opinion than fact.

As a character, Lily is the quintessential entitled, obnoxious American whose unthinking arrogance brings her downfall, yet at the same time it is her naivete and vulnerability that makes her sympathetic as a character. The author treads the line between Lily's guilt and innocence with skill, making it clear that Lily occupies a moral grey area which makes it difficult to decide on her role in the murder. This (sometimes overly) verbose novel is a reflection on cultural differences, the state of high profile murder trials today, and how perception affects belief.  Though it can be frustratingly vague, readers who enjoy literary character studies mixed with an intriguing murder will flock to this book.

Shannon Wood, Adult Services Librarian

The Good Lord Bird by James McBride

The year is 1857, five years before the American Civil War breaks out and two years before abolitionist John Brown's unsuccessful raid on the armory at Harpers Ferry, Virginia. John Brown's story ends with his hanging, the slave revolt he had tried to ignite a failure, but his actions will be a catalyst for the Civil War. Henry Shackleford's story starts when he is accidentally freed by John Brown and mistaken for a girl for years as a result. Nicknamed Little Onion, Henry journeys with Brown until his fated raid on the United States arsenal at Harper's Ferry in The Good Lord Bird by James McBride, which was the winner of the 2013 National Book Award for Fiction.

McBride's novel is satire in the vein of Huckleberry Finn, but I felt that some of the humor fell flat and did not cut as sharply as Twain's masterpiece. In addition, the characters don't have much depth - even the main character, Henry, seems like a paper cutout of a person. However, the abolitionist John Brown, who should be a hero in a slave narrative, is  portrayed as ridiculous and absurd, which lends an intriguing slant to what would be a straightforward story. McBride seems intent on proving that morality is a grey area and that heroes are not always who we want them to be underneath. Perhaps this is just not the book for me, but others who enjoy literary satire would find Little Onion and his adventures with John Brown fascinating.

Shannon Wood, Adult Services Librarian

Elizabeth Is Missing by Emma Healey

Maud's friend Elizabeth is missing, and that's the only thing she knows for sure. Everything else is a bit muddled, that's all. In Emma Healey's debut novel Elizabeth Is Missing, Maud doggedly searches for her friend Elizabeth as she battles with dementia. Compounding the problem, Maud's memories of her sister Sukey who disappeared when she was a girl intertwine with her need to search for Elizabeth, which makes finding the truth that much harder.

Healey's debut is a haunting depiction of a character with dementia, as the reader is drawn inexorably into Maud's downward spiral as her disease worsens. Though Maud doesn't remember what happened a few pages ago, the reader remembers, and it is truly heart-wrenching when she doesn't recognize her own daughter. The historical touches from the post-WWII era and the twin mysteries add layers of realism and suspense, but the true star of the novel is Maud's dementia. For a debut author to create such a convincing, sympathetic portrayal of a dementia patient while intertwining two different, intricate mysteries is an impressive literary achievement.

Shannon Wood, Adult Services Librarian

Terms and Conditions by Robert Glancy

When Frank wakes up in a hospital bed with quite a few broken bones, he can't remember how he got there. In fact, he can't remember who he is. His wife and brother mention a "little episode" he had, but won't give him any other details. Amnesiac Frank eventually learns that he is a contract lawyer specializing in the small print that no one reads. In Terms and Conditions by Robert Glancy, Frank struggles through the journey back to himself as he observes the world and himself with biting wit.

The most striking stylistic choice in Glancy's novel is that it is presented as a series of contracts, with Frank's fine print (numerous, hilarious footnotes) adding insight the narrative. Frank is an everyman, someone who could be one of your coworkers or acquaintances, which makes him extremely sympathetic and relatable as a character. However, what Frank hates about himself is what many of us dislike about ourselves: cowardice, passivity, and total lack of ambition. The novel is about how memory shapes who we are and whether one can be a better person if they forget who they are and start over. At the same time, it is a searing portrait of a marriage falling apart and of a couple growing into different people than when they met. Glancy's debut novel will appeal to anyone who likes insightful, funny novels, or who found the movie Office Space hauntingly true-to-life.

Shannon Wood, Adult Services Librarian